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Town guide / South Manchester and Stockport

Old oak furniture in a Stockport house

Stockport is built on steep ground above the Mersey, crossed by its great brick railway viaduct, and many of its terraces climb hills that test anyone carrying heavy furniture.

i.

The houses

Plenty of Stockport terraces open straight off the street into a front room, with a narrow stair rising between walls and little room to turn. Houses built into a slope can also have cellars or changes of level. For solid oak, which is heavy, the route in matters as much as the room it ends up in, so measure the front door, any inner doors and the steps before you think about height.

ii.

Oak furniture in that setting

Oak furniture covers everything from joint stools to tables, coffers and dressers, and good old oak has a depth of colour that only comes with age and handling. Oak responds to humidity, swelling a little in damp months and shrinking in dry, heated ones, so tops move and small gaps open and close. Ask Sara which parts are original and how a tabletop is fixed to its frame.

Oak furniture in the catalogue

iii.

Buying from Caernarfon

Life: Full Colour is based in Caernarfon and has no branch in Greater Manchester; the road between runs along the A55 and the M56 before reaching the M60.

Buying works the same way from anywhere: find a piece, ask Sara about it by the enquiry form or on 01286 400155, and buy through Creative Caernarfon.

Visiting and delivery

Life: Full Colour is based at 9 Segontium Terrace, Caernarfon LL55 2PN. Ask Sara whether delivery or viewing is possible for a particular piece.

iv.

Questions for a Stockport buyer

Solid oak is dense, and a dresser base or long table can be very heavy and awkward to carry. Weight varies too much to generalise, so ask Sara whether a piece separates or has removable drawers and tops, and plan the route through your house with that in mind, especially where there are front steps.

Within reason, yes. Oak shrinks across its width in dry, heated rooms, so small gaps can appear and close again with the seasons. Large or widening splits deserve a closer look. Ask Sara for close photographs of the top and of how it is fixed underneath before you decide.

Usually not. Damp is hard on old oak: it can encourage mould, swelling and woodworm, and drawers may stick. A dry, ventilated room at a fairly steady temperature is far better. Keep pieces slightly off solid walls, and avoid storing furniture long term in an unheated cellar.

Old flight holes are usually dark inside, with no fresh, pale dust beneath. Active woodworm is more likely to show clean, light holes and powdery dust. If you are unsure, ask what treatment has been done, and look for crumbling timber around the holes.

Natural ageing gives a depth of colour that varies, darker in handled areas and lighter in sheltered ones. Stain tends to look flat and even, and may collect in carved details. Look inside a drawer or beneath a top, where the surface is less likely to have been altered.

Look for pegs standing flush and tight, with no gaps at the shoulder of the joint. A joint that opens when you press gently, or a peg that looks brighter than the timber, suggests movement or repair. A slightly rough finish at the pegs is normal.

Close the lid slowly and look for an even gap all round. Check that the hinges are firm in the timber and that the lid stays up when raised. Lids take the most handling on a coffer, so ask Sara what is known about the lid and its hinges.

Long oak boards carry weight over many years and can bow if they are thin or were heavily loaded. A slight dip is common. A shelf that has split, or a bow with a fresh repair, is worth examining closely.

Not necessarily. Knots, small shakes and patches of paler sapwood are natural in solid oak and often seen on country furniture. Weakness shows as movement in the joints, deep splits running across them or soft, crumbling timber, not as a mark in the grain. Ask Sara about any you can see.

No. Plain old coffers were sometimes carved later, especially in the Victorian period, so look for crisp, sharp cuts and unworn edges against the surrounding wear. Original carving tends to be softened where hands have touched it. Ask Sara what she can tell you about whether the carving belongs.